schumann's second symphony dresden premiere

There was also an early and incomplete symphony in G minor, now known as the "Zwickau". [4] The premiere took place under the baton of Felix Mendelssohn on 31 March 1841 in Leipzig, where the symphony was warmly received. As bad luck would have it, their quarters there afforded a view of a nearby . Couldn't find anything. In 1846, this symphony was premiered by Schumann's close friend Mendelssohn. 1 in B-flat major, Op. Haitink's and Solti's join this one by Sinopoli in the second tier. ), Here is something truly symphonic, a gesture worthy to introduce a great work, I sketched it at a time when I was ailing, and I may well state that it was, as it were, the power of resistance of spirit that has influenced my work, and by which I have tried to prevail against my physical condition. [3] Hence, this symphony can be seen as a direct product of his shift of compositional strategy and counterpoint study. (The first violin part is on almost every professional orchestra audition list). On his doctor's advice, Schumann and his wife moved to Dresden, which was a quieter, more conservative city, and Robert recorded, "with a more benign climate," presumably referring to its less humid weather. Now, coming after the darkness and despair of the Adagio, this rhythm creates a powerful sense of self-assertion, as if the composer is announcing- Es lebe Schumann, Schumann soll leben!. Untrue. Until then, Schumann was largely known for his works for the piano and for voice. Ms. Cooke performs the world premiere on January 30, 2022, as part of the San Francisco . It was the first major orchestral work of its style to require three timpani. With Mendelssohns encour- agement, the task was finally completed and Mendelssohn led the premiere with the Leipzig Gewandhaus Orchestra on Novem- ber 5, 1846. Schumanns Second Symphony began to take shape at the end of 1845, shortly after his recovery from a nervous breakdown. The following Scherzo (Allegro vicace) is a tour de force for orchestra and composer. %%EOF The remarkably cooperative (and appreciative) Mendelssohn agreed to a second performance two weeks later. Yet despite Schumann's protestations, this isn't a piece that mawkishly wears its heart on its sleeve. If you're craving something similar, check out Stravinsky's The Rite of Spring premiere. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features . Van Zweden who . A succeedingscherzois cast in five parts, including two trio sections. I play in a community orchestra in Adelaide, South Australia and its always the Rhenish. Robert Schumann:Symphony No. Who could go further? Nor, as things turned out, did it matter where he lived. I agree the 2nd should be heard more often, but it is the toughest of the Schumanns, especially for the violins (the Scherzo is a real virtuoso piece). Create an account to follow your favorite communities and start taking part in conversations. It looks like you're new here. Gramophone Collection: Schumann's Second Symphony Richard Whitehouse Wednesday, November 20, 2019 Nine decades of recordings reflect changing attitudes to Schumann's Second, finds Richard Whitehouse. 1 in B-flat major, Op. 1) The inspiration for the work came after travelling in Russia. Thats two more than Schumanns ever popular third symphony. Ivor Bolton conducts the concert celebrating the reopening of Dresden's Kulturpalast, with an incandescent program of orchestral masterpieces by Weber, Beethoven, and Schumann! 4). Stylistically, Schumann sets the Bach theme as a Romantic song-without-words;very much Bach in the style of Schumann. Having completed a commendable cycle of Mendelssohn symphonies with the London Symphony Orchestra, he now turns his attention to those of Schumann. Throughout this Trio, the spirit of Bach is felt in every bar, especially once we realize that the second part of the theme is a quotation of the musical B-A-C-H motive (Bb-A-C-B natural). 10/30/2012. With its rapid walking bass line and weaving contrapuntal lines, it is easy to hear this trio as an homage to Bach. Wow! Emboldened by this project, he took up his Phantasie for Piano and Orchestra, written for Clara in 1841, revising and expanding it into the Piano Concerto, op. 1844 was the year that Clara, Schumann's wife and virtuoso pianist, toured to Russia. Notable artists and events will include the Orchestra of St. Luke's and pianist Lang Lang playing Saint-Sans' Piano Concerto No. Composed: 1845-1846Orchestration: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, and stringsFirst Los Angeles Philharmonic performance: January 5, 1939, Otto Klemperer conducting. The first is dominated by the opening scale and the Es lebe theme, with the springing, explosive impetus of the Schumann rhythm to the fore. The rhythm of this march-theme (a long note followed by a dotted rhythm) appears so frequently in his music that some commentators call it the Schumann rhythm. In fact, even the quotation from Haydn that begins the symphony is a version of the Schumann rhythm. Hi all, The AutoSave Draft feature is now disabled across the site. . Instead, if there is a relationship between his physical state and the music of the symphony, it's in the work's feverish concentration of ideas, and its polyphony of styles. Your email address will not be published. 59, No. The symphony wasn't well received. 61) in the spring of 1848, conceded that it was indeed difficult to think peacefully and rationally about such lovely . The strategic shift above can be ascribed to his intensive study of counterpoint in the same year with his wife, Clara Schumann. There, in the beauty and quiet of the countryside, Brahms completed his Second Symphony. Was it something the writers made up? By the mid 1840s, Robert Schumann, in his 30s, was on the cusp of a new kind of composition. For those who rediscovered Schubert\'s symphonies (including the epic Ninth . . 21 . Hugs from The Man of Steel- Lee Steels. The way they are fused together amounts to a symphonic solution that's definitively Schumann's own. 3, Schumann- Symphony no. 2 and 4 - LSO, Gardiner. Schumann's symphony is a gift of a new kind of symphonic song for the mid 19th century. . But it's the finale that's the most original shape. 4 in D minor, Op. Clara encouraged him to write symphonic music, noting in her diary, "it would be best if he composed for orchestra; his imagination cannot find sufficient scope on the piano His compositions are all orchestral in feeling My highest wish is that he should compose for orchestrathat is his field! The composers strength returns in an aggressive fourth movement. Yet what you hear at the start of the symphony seems superficially serene: a quiet, long-breathed fanfare in the brass, an endlessly meandering string line, like a far-off vision of prayer at some mist-shrouded gothic cathedral. The first movement is full of this combativeness, is very moody and rebellious in character.". Sign in or register to get started. "Clearly it is not the text, Mendelssohn led the premiere at the LeipzigGewandhaus onNovember 5, 1846. Originally, each movement had its own title, with the first movement nicknamed "The Beginning of Spring", the second "Evening", the third "Merry Playmates", and the last "Spring in Full Bloom". Intellectually compelling, emotionally searing, kinetically irresistible, gorgeous in detail and large sweep, and a thrilling convergence of all his gifts, the Second Symphony is Schumann living his most determined struggle." (David Hoose, program note for a performance by the Boston University . There is something simultaneously noble, dancelike, and delightfully deranged about this motive, which at one point spins off into a dialogue between the strings and winds. Beethoven's symphonies were still being digested by a variously admiring, comprehending and baffled world, but there was something monstrous about the gauntlet the ninth symphony had thrown down. David Zinman's new budget-priced set of the Schumann symphonies goes a step beyond his 1989 recording of these works with the Baltimore Symphony (on Telarc). For all its winsome meditations on the Rhineland, and its stunning success under Schumann's baton upon its premiere in 1851, the Third Symphony starkly brings to mind that just three years later the composer tried to take . 3. 67 0 obj <>stream But the inspirations for what would (rather erroneously) become known as Schumann's second symphony, composed over 1845 and 1846, sidestepped symphonic grandiosity. A rapid scale passage leads to a brazen principal subject. The 19-year-old Schubert completed this work in April, 1816. It was during his time spent on tour with Clara that Schumann truly discovered Goethe's tragic play, Faust, studying both Part I (1808) and Part II (1832) of the work in great detail. For example my first symphony in B-flat in four days, a song cycle of twenty pieces likewise Only from 1845 on, when I began to invent and work out everything in my head, did a completely different way of composing start to develop. As a young composer, Schumann had been completely dependent on his gifts as an improviser at the piano, but from 1845 on, he no longer kept a piano in his studio. "Back from B-A-C-H: Schumanns Symphony No. Echoes of Beethoven can be heard in this music. He already had significant symphonic experience: there was the miraculously sunny B flat major work he had written in just four days, the "Spring" Symphony; a D minor piece trying out an experimental structure that elided each movement into the next, a piece that would later become known as his 4th symphony; and there was another ambitious symphonic hybrid in his Overture, Scherzo, and Finale. Interestingly, this is a first for the 80-year old Italian maestro in spite of his profuse recorded legacy. In a letter to Wilhelm Taubert, Schumann wrote: Could you breathe a little of the longing for spring into your orchestra as they play? He was indeed a confident, masterful self for a brief time less than a year thereafter, after which the darkness would again begin to close in around him. Work composed: 1799-1800 Most recent Oregon Symphony performance: September 29, 2014; Carlos Kalmar, conductor Just when we think were reaching a decisive cadence, listen to the way the music reaches higher, soaring passionately before falling back into the shadows. This is an indispensable record. During a visit with Clara to Leipzig some months after the move, Robert wrote to Hiller, The life and people do cheer us up considerably. Reference is made on Frasier. (For example, the opening brass motto emerges again in the second and fourth movements.) 3 in E-flat Major, Op. Even in its original form, the D-minor Symphony . Dr. Niles Crane : Oh my God! The third movement (Adagio espressivo) is filled with long, sensuously expansive phrases, strange harmonic turns, and haunting mystery. Sorry that you had problems submitting this comment, Lee. Clara Schumann, ne Wieck, was the daughter of Mariane [Marianne] and Friedrich Wieck. Anda. In between, Israeli pianist Alon Goldstein plays Rachmaninoff . A lyrical subsidiary theme is also included. PREMIERE: In 1827 or 1828 Schubert heard it played in a sight-reading rehearsal by the Vienna Society of the Friends of Music. What follows is one of the most tender and miraculous moments in any symphony. Already at its celebrated premiere during the 2012 Music Festival the ensemble thrilled both audiences and critics. By the beginning of 1845, Schumanns health gradually began to improve, and he embarked on an intense study of counterpoint, immersing himself in the music of J.S. Although he had made some "symphonic attempts" in the autumn of 1840 soon after he married Clara Wieck, he did not compose his first symphony until early 1841. The only thing to be done is hopeand so I will.. hbbd``b`$`$r@ *XFX V>5Dx;A,q H ! Just as Bach would usually use a Lutheran chorale not of his own creation in his chorale preludes, Schumanns chorale theme is also a quotation of the opening of Haydns last symphony, no 104. During 1845-46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. 38, "Spring", John F. Kennedy Center for the Performing Arts, "Robert Schuman: Symphony No.1 in B flat major, Op. The playing time of the symphony is about 2931 minutes, depending upon the interpretation. Sadly, this affirmation of life was not to remain. By continuing to visit this site you are agreeing to the use of cookies. Herbert Glass. 1 in 1841, and the original version of his D minor symphony of 1841 (later revised and published as No. The result is a quotation of the final song of Beethovens An die ferne Geliebte (To the Immortal Beloved), where Beethoven sets the words Take them then, these songs. And what songs he offers. That Christoph von Dohnnyi, Cleveland Orchestra is a fabulous recording. The movement is constructed from three basic building blocks. The motive is made up of notes that spell the name of B-A-C-H in the German notation (B-flat-A-C-B). Many hear this movement as a depiction of the despair and isolation Schumann felt during his illness cut off from music, activity and friends. Along the way we find reference to one more song by Schumann himself Widmung (Dedication), presented to Clara on their wedding day. On December 8, 1908, all the stars aligned, and Gustav Mahler led the New York Symphony Orchestra in the United States premiere of his Symphony No. As we move into the expositions first theme, notice the obsessive repetition of the double-dotted rhythmic motive. The Symphony No. 1841 had been the year of Schumann's symphonic breakthrough, but he saw fit to revise much of the orchestral music from that year. The uplifting tone of the symphony is thus remarkable considering Schumann's health problems during the time of its compositionthe work can be seen as a Beethovenian triumph over fate/pessimism, as Beethoven himself described in the Heiligenstadt Testament. ", Learn how and when to remove this template message, http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000040704, Journal of the American Musicological Society, International Music Score Library Project, Program notes from a Richmond Symphony concert, Program notes from a Filarmonica della Scala concert, Listings of live performances from Bachtrack, Five Pieces in Folk Style for cello and piano, https://en.wikipedia.org/w/index.php?title=Symphony_No._2_(Schumann)&oldid=1074171794, Articles that may contain original research from February 2022, All articles that may contain original research, Articles with International Music Score Library Project links, Articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License 3.0. Thank you :). 1 in B-flat, Opus 38, "Spring", "Building a Library: Schumann: Symphony No 1", International Music Score Library Project, Five Pieces in Folk Style for cello and piano, https://en.wikipedia.org/w/index.php?title=Symphony_No._1_(Schumann)&oldid=1095362695, Wikipedia articles incorporating the Cite Grove template, Wikipedia articles incorporating the Cite Grove template with a url parameter, Articles with International Music Score Library Project links, Articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 27 June 2022, at 23:00. The symphony invites listeners to imagine their own Romantic narratives as they listen to this passionate and fascinating work. This Scherzo, in duple meter rather than the more standard triple meter, contains two contrasting trio sections. It's especially thrilling when the composer is on stage to conduct the work. Thank you for the analysis! He mumbled something about it being worse than the Dresden premiere of Schumann's Second Symphony." . Enter your email address to subscribe to The Listeners' Club and receive notifications of new posts by email. A solemn trumpet call opens the first movement(Sostenuto assai- Allegro, ma nontroppo) amid shifting undercurrents in the strings. [1] Of these, Schumanns hearing problems were the most worrying. 38 "Spring"; Johannes Brahms: Symphony No.1 in C minor, Op. After the skittish, unsettled start to the second, scherzo movement, one of the contrasting trios creates another Bach-like texture, a chorale that disappears like a dream before the chromatic whirlwind engulfs it. The development section begins with a sudden harmonic turn. His symphonies are considered masterpieces amongst German romantic symphonic works. 4 on October 18, 20 & 21, 2018! The moodiness or rebelliousness comes from the way Schumann's chromatic lines undermine the certainty of the fanfare idea, and that's just the first of the churning conflicts that this opening movement sets up. 45 in F-sharp minor, HOB I:45 Der Abschied (The Farewell), What Mahler Tells Me The Theme of MahlerFest XXXV, ORCHESTRA AUDITIONS: unfair and subjective, Cruel and Unusual- Its time to change the audition system. For this occasion, Schumann made substantial changes in the orchestration, including what turned out to be a magnificent inspi- ration: the addition of the trombones of the present edition. Mahler reached a crossroads in 1907. hb```g``d`a` |@1V +wPAi9N5JtDQ Press J to jump to the feed. [1] His depression and poor health, including ringing in his ears, prevented him finishing the work until October 19. His comment then to Felix Mendelssohn, drums and trumpets have been sound- ing in my mind for some time now, might strike us as a wry reflection on his dis- turbed mental condition, replete with aural fantasies, of the year preceding. . Thanks, The Boards Team. This is not Gardiner's first cycle; it has been . Sebastian Bach Mills was soloist, with Carl Bergmann and the New York Philharmonic, at Niblo's Gardens in New York City He spent most of the next year orchestrating, beginning February 12, 1846. performances here in the immediate region, if my count is correct. The sense of suspended tension in the harmony at 26:53 almost seems to anticipate WagnersTristan and Isolde,as do the overlapping voices a moment later when the violins dissolve into descending trills and the woodwinds pick up the melodic line. Later, this vintage melody is shared by the oboe and swells to a surging climax against poignant trills from the strings. Two decades elapsed before 2023 Indianapolis Symphony Orchestra. This page was last edited on 26 February 2022, at 20:29. Mondnacht. Review: Schumann - Symphonies Nos. Explore the Score Mendelssohns Scottish Masterpieces, Explore the Score. Theme by theme, Schumann works his way back through the symphony- first reworking Bachs Musical Offering motive, then gradually returning to the ideas of earlier movements, particularly the themes of the symphonys opening. Save my name, email, and website in this browser for the next time I comment. Music, in fact, was not nearly so highly prized in Dresden as literature and the visual arts. The symphony is full of ciphers, codes, quotations and references to other music. Felix Mendelssohn, Schumann's closest musical collaborator and conductor of the premiere of the 2nd Symphony. The music eventually collapses back into the darkness of C minor, the key of the slow movement. endstream endobj startxref The fiendishly difficult first-violin part is a rite of passage for every aspiring violinist, an excerpt that is heard in almost every orchestral audition. Trumpets and drums have been sounding in my mind for quite a while now; I have no idea what will come of it, he recorded. Amazing and of prime value. a quotation of the opening of Haydns last symphony, no 104, fiendishly difficult first-violin part is a rite of passage for every aspiring violinist, the other soulful and rarified. David Zinman/Tonhalle Orchestra Zurich: a recording that marries the lessons of the period instrument movement with the lyricism and warmth of the Tonhalle's native sound a winner. His genius for thematic development and formal structure is nowhere more evident than in his second symphony. "[10] The first trio of the third movement quotes motifs from the first movement. Symphony in C major, D.944, The Great Franz Peter Schubert BORN: January 31, 1797.Liechtenthal, then a suburb of Vienna (now incorporated into the city) DIED: November 19, 1828.Vienna. 2; Symphony No. Los Angeles Singer Songwriter & Musician. Thanks as always for your marvellous insights. The opening concert of the season is this weekend - Saturday at 8pm and Sunday at 3pm at the Forum - with the Harrisburg Symphony and Stuart Malina opening the program with Richard Strauss' Don Juan and ending with Schumann's "Rhenish" Symphony. (O, turn, O turn and change your course/In the valley, Spring blooms forth!"). Here's the thing. Instead, Schumann found in Bach's counterpoint the bracing intellectual challenge he felt he needed after years living on his compositional instincts. It seems the symphony is performed more frequently these days. Gradually, more voices join this new song and the musical temperature rises. Brahms: Symphony No. The third movement (Adagio espressivo) begins with what sounds like the most heart-wrenching and Schumann-esque of melodies. This site uses cookies. 4 was originally written nine years earlier in 1841, in the first flush of happiness after Schumann's marriage to Clara a marriage which had been opposed by Clara's father, to . The Finale explodes into life, with a fortissimo scale for all the strings, followed by a bracing and very fast march with a striking resemblance to Es lebe Sarastro, Sarastro soll leben (Long live Sarastro, Sarastro shall live!) from The Magic Flute; a celebration of life that very much sets the mood of the movement. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Join. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. 98 cycle, and explored the way its main motive emerges in several of Schumanns works. Schumanns recovery was transitory, and in only a few years, the madness overtook him for the last time. Performed by the Fort Collins Symphony on the concert Intense . Robert Schumann is considered one of the finest representatives of German Romantic music. Wolfgang Sawallisch/Staatskapelle Dresden: one of the classics of the Gramophone, from Sawallisch's complete survey, which did more to put Schumann centre-stage in the repertoire than other recording. 38, also known as the Spring Symphony, is the first completed symphonic work composed by Robert Schumann. [1] John Worthen- Robert Schumann, Life and Death of a Musician. 32 E. Washington St Scherzo. [5] According to Clara's diary, the title "Spring Symphony" was bestowed upon it due to Adolf Bttger's poem Frhlingsgedicht. It was better received after a second performance some ten days later. Mahler's intentions and their implications for Schumann's orchestration. Subreddit for people who love the sitcom Frasier. 49. r/Frasier. I find in the fourth movement a quite clear citation of Esurientes implevit bones, et divites dimisit inanes from Bachs Magnificat. The movement reaches its joyous culmination in a return of the Haydn fanfare. This concert season, there were four (!) The drums and trumpets referred to earlier serve as the motto-fanfare (in C) that opens the Symphony and reappears near the end of it, the composers grandest orchestral conception: a score begun in confidence with a heroic opening move- ment (Schumann, unaccountably, called it moody and refractory) and the whiplash scherzo, followed by the yearning, ecstatic adagio to more than a few ears the quint- essential Romantic slow movement and a triumphant finale, in which I am myself again, Schumann wrote, referring to the fact that he had suffered another nervous seizure and a period of creative inertia after completing the Adagio. season 6 episode 2 called "Frasier's Curse", Music Production Commercial He had started to feel the first effects of the syphilitic infection that would eventually kill him; he wrote that his illness hearing problems, depression, dizziness, rheumatism is inscribed in the fabric of the piece. 1 & 2 (Re-orchestrated by Mahler) - Alsop. Review: Brahms Complete Symphonies - Berlin staatskapelle, Daniel Barenboim. Dresden. Symphony no. John Eliot Gardiner/Orchestra Rvolutionnaire et Romantique: the blazing colours and ferocious imagination of Schumann's symphony revealed with fiery passion from Gardiner. He set to work in earnest on the piece after hearing a performance of Schuberts Great C major Symphony on the 9th of December, 1845, completing it in 1846. Although Schumann would continue to note a variety of physical complaints throughout 1845, the completion of the Piano Concerto marked his return to full strength as a composer. (I didn't read this one -- just posted the first I found). Schumann's symphony is a gift of a new kind of symphonic song for the mid 19th century. After another short but pregnant silence, the mood of tenderness returns. Nowhere is a hint of his forthcoming tragic days. He was indeed a confident, masterful self for a brief time less than a year thereafter, after which the darkness would again begin to close in around him. Some incredibly sublime music was written in the shadow of Beethoven. 1, Robert Schumann- Symphony no. This field is for validation purposes and should be left unchanged. In that year he began work on his third symphony, identified as Number Two because of publication order. Dr. Niles Crane : [alarmed] And you left him alone? With Mendelssohn's encour- agement, the task was finally completed and Mendelssohn led the premiere with the Leipzig Gewandhaus Orchestra on Novem- ber 5, 1846. Intensely relieved after the First Symphony's triumphant premiere in 1876, Brahms set off the following summer for the lakeside resort of Prtschach in the Austrian Alps where, almost If the Glendale Symphony's concert Saturday night at the Dorothy Chandler Pavilion is fair evidence, then Lalo Schifrin, now two years into his music directorship, needs more of it. 38 "Spring" (with Score)Composed: 1841Conductor: Zubin MehtaOrchestra: Wiener Philharmoniker00:00 1. The symphony was first performed on November 5, 1846, at the Gewandhaus in Leipzig with Felix Mendelssohn conducting. Seaton, Douglass (2008). To alleviate the first circumstance, he goes to a job interview but blows it big time. A moment later, fugal counterpoint brings us back to the world of Bach. Robert Schumann, in full Robert Alexander Schumann, (born June 8, 1810, Zwickau, Saxony [Germany]died July 29, 1856, Endenich, near Bonn, Prussia [Germany]), German Romantic composer renowned particularly for his piano music, songs (lieder), and orchestral music. *$ N =a-Hg I (This might remind you of a similar passage in Brahms First Symphony. He found that listening to music caused him acute physical pain: I really have not been able to listen to music for quite some time, it cuts into my nerves as with knives. Although Schumann suffered from anxiety and melancholy during his illness, he sensed that his symptoms were physical in origin, and modern research has now confirmed that his condition during those months was very likely brought on by the syphilitic infection that would eventually kill him. Learn how your comment data is processed. But Schumann had borrowed it from Bach. I believe in the emmanence of the creator and music like these two recordings in their ecstatic essence permit ordinary humans such as I to experience oneness with the universe. Robert Schumann: Symphony No. By Marianne Williams Tobias, The Marianne Williams Tobias Program Note Annotator Chair, Robert Schumanns life was marked by alternating periods of depression and exhilaration. Many of his best-known piano pieces were written for his wife, the pianist Clara Schumann. Sostenuto assai - Allegro ma non troppo (00:00)II. "From this listener's perspective it is as perfect a symphony as exists by anyone. Follow- ing the breakdown, Robert and Clara left Leipzig where, despite the Schumanns participation in the citys social and artistic life, Robert could find no peace, as he wrote to a friend, and where he taught with little pleasure or aptitude at the Conserva- tory. The slow movement is the most contemporary in its aching, restrained emotion and ancient of the symphony, given that the main melody is based on a work of Bach's that Schumann had recently been studying, the Musical Offering. As it happens, this ostinato rhythm is taken from the first bar of the Trio Sonata (Largo) of The Musical Offering; a piece that well hear more of later in the symphony. 4. All Rights Reserved. Indianapolis, IN 46204. A quirky, problematic genius, he wrote some of the greatest music of the Romantic era, and also some of . Buy Tickets. This should serve as a reminder to manually save your drafts if you wish to keep them. The year of 1845 was important for Schumann because it signaled a shift in his compositional strategy.

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